we will watch naruto amvs, fall out boy, play DDR, and everyone will get a nametag with ~xXx*_ _*xXx~ borders on it. eyeliner and teased hair is mandatory
Me to american animation: I know your stories are great buy why does your animation suck so bad?
American animation: We have to create simplified characters to make the movement faster and more creative and interesting.
Me glancing at Japan:
Me: k.
Hey you know what studios do in America? Due to animators unionizing, instead of paying all the animators proper wage they started sending animation to be done over seas to lower labor costs. Now most studios’ animation are shipped to Korea and China and etc., which means the designs for the characters have to be simplified for easy character animation. Not to mention the history of American animation overall and how the American cartoon style has led towards more simplified styles over the years.
Also animation in Japan, while it does have plenty sakuga stuff, are actually just budget dumps for the best fight scenes. During normal scenes, characters can be very static and has a lot of holds. There’s also the mouth-flapping thing that a lot of animators in America detest. Everything is revolved around budgets for both countries. For America, to pay animators working wages they decided to cut costs and ship labor overseas. For Japan it means terrible working hours and labor, where plenty of animators have fallen ill or even die in their own cubicles.
So watch your fucking language and learn animation history. People like you are the reason why a lot of studios are cutting costs on their workers in America.
Take Me Home, Country Roads by John Denver except it’s playing from your neighbor’s radio that you can hear from your back porch, which you sit out on to relax in spite of the loud buzzing from the lightbulb and the hoards of moths that flock to it on summer evenings like this.
my favorite thing i’ve learned in college is that way back in ancient china there was this poet/philosopher guy who wrote this whole pretentious poem about how enlightened he was that was like “the eight winds cannot move me” blahblahblah and he was really proud of it so he sent it to his friend who lived across the lake and then his friend sends it back and just writes “FART” (or the ancient Chinese equivalent) on it and he was SO MAD he travels across the lake to chew his friend out and when he gets there his friend says “wow. the eight winds cannot move you, but one fart sends you across the lake”
i googled this bc i desperately wanted this to be real, and guess what…it is.
the dude’s name was su dongpo (also known as su shi). his original poem went like this:
稽首天中天，
毫光照大千，
八風吹不動，
端坐紫金蓮
(Humbly bowed my head below all skies Minutest lights shine through my deepest bounds Immovable by strong winds from eight sides Upon purplish gold lotus I seated straightly by the low mound) (x)
on which his friend wrote “放屁” (fart, literally), and you know the rest.
Worked on this girl for 9 months. Now this new music video comes out and she’s immensely popular, arguably one of the most popular characters in the LoL universe.
Don’t get me wrong, I’m really glad she’s a huge hit, it’s super exciting to see so many people love the character design and the gameplay, and know that I contributed directly and significantly to the behind-the-scenes engineering that makes it all work. It’s validating.
But it’s also so fucking melancholy to know I did so much work and put in so much time for such a shitty company, run by shitty people, and the reward I got for it was unemployment.
I threw a lot into this character. I cried at work. I started getting panic attacks, which I’ve never gotten before. I developed persistent heart palpitations from the daily overwhelming stress and had to go to the hospital (this is true, seriously.) I basically dropped all my friends outside of work. My manager (and his manager!) lied to me constantly to keep me working. They said I was doing a great job but to keep it up. Don’t worry, it’s going to turn out great, and it’ll all be worth it in the end – recognition, a raise, probably a promotion in short order. They promised me the world. When she was finally finished, I didn’t even get to go to the release party, they just walked me out.
I remember a quote from my last day, it sticks out in my mind: “I know you realize this is really hard for me,” my manager said. Yes, in the end, when he awkwardly informed me I didn’t have my dream job anymore – or any job at all – and then stared back at my shell-shocked face, my thousand-yard stare, the only thing he felt was sorry for himself.
She launched with no major bugs and was considered a technical success. Doesn’t matter. Get the fuck out.
I don’t know how I feel. A weird sensation of pride and intense bitterness. I did a good job; at least, I think I did. Unfortunately, internal validation is the only kind I’m going to get.
Everyone reposting KDA should see this. Riot has successfully distracted everyone into forgetting their culture of sexism,exploitation, and toxicity mere months after it was all revealed.
Look, I get it. Akali is EXTREMELY my type. It’s obvious how much love and care was put into her development. But it makes me furious to see all the free advertising that Riot is getting from people who I thought would know better.
And now? One of the people who is arguably responsible for all that free advertising? Who’s work is undoubtedly making Riot hundreds of thousands of dollars a day? Who was overworked to the point of near breaking? They get nothing. WORSE than the scant bit of credit that most devs can get in a big company like Riot. They got let go.
Fuck Riot Games.
One thing that I thought really sucked a lot is that the production company who made the KDA video isn’t even credited. They credit a lot of other people on their videos, usually, but the actual animators of the video are hidden; almost a lie by omission. At best it’s a honest mistake, at worst it’s sneakily trying to pass off the video as something made in-house when it’s not. 😦
PTA archive 